Join or log in for opportunities & jobs

ACO_Will

ACO_Will

Will Kunhardt

Location: Greater London
Gender: Male
Age: 25

Portfolio 3,746 views

About me

I'm William Kunhardt, a 24 year old freelance conductor. My work is dedicated to rethinking and revitalising the concert experience. I aim to produce immersive and theatrical productions of classic and contemporary orchestral masterpieces using, along with my own performance style, lighting design, dramatisation of a work’s context, creative venue choice and fresh and unusual programming concepts.

I'm Principal Conductor of the Arensky Chamber Orchestra and Associate Conductor of the Piraeus Festival in Athens. Internationally I've debuted with Athens Symphony Orchestra, the Bulgarian Radio Symphony Orchestra, Athens Chamber Orchestra, the Salim Sahab Orchestra, Cairo and Berlin Camerata. In January 2012 Iwas invited to conduct for the Bahraini Royal Family at the opening ceremony of the country’s year as Capital of Culture for the Middle East and in November 2013 was one of an elite group of artists asked to perform at Aldeburgh Music’s Benjamin Britten Centenary weekend.

In the UK I've performed at Queen Elizabeth Hall, Snape Maltings Hall, St John's Smith Square, Cadogan Hall, West Road Hall, Cambridge and St Martin’s in the Fields. With the Arensky Chamber Orchestra I've recorded Ravel’s Tombeau de Couperin, Beethoven's 3rd 'Eroica' and Mozart's 41st 'Jupiter' Symphonies for Classic FM as well as concerti with Jennifer Pike, Benjamin Grosvenor, Andrew Haveron and Andriy Viytovych.

During the past year I've also worked with Guy Johnston, Melvyn Tan, Alexandra Dariescu, Jakob Koranyi and Thomas Carroll and made debuts with the Locrian Ensemble, Chroma Ensemble and the Deal Festival Orchestra.

Previous to my apointments with the Piraeus Festival and ACO, I was Principal Conductor of the International Orchestra for Freedom, the CLIC Sargent Symphony Orchestra (which Ico-founded in 2009) and the Young Virtuosi Festival in Castelreng, France.

Why do you want to report this user?

Giving us a reason helps us to review people's behaviour and enables us to get rid of troublemakers. This message will only be sent to the IdeasTap Team

Please add your email address if you would like us to get back to you.

If you would like to report this to the police, please follow the link on our safety page (Opens in a new window)

All reports will be treated in the strictest of confidence within the IdeasTap Team.

Are you sure you want to remove this person?

Are you sure you want to block this person?

Caution. Are you sure you want to delete this person? This action is irreversible; some of their data will be deleted, they will no longer be identifiable, be able to log in nor will they be contactable. Please double check that this is your intention.

Delete:

  • All
  • All except Groups

Comments

  • Sign up or log in to post something

  • Hi Will. I’m looking to put together a team of composers for a collaborative musical theatre project called ‘Marty Gull’ (Marty[r] Gull[ible]) and hope you might be interested. It's a surreal, satirical, tragicomic piece of musical political theatre: a cautionary tale of school politics, backstabbing egos and the state of the nation. I’ve written the first draft libretto using a medley of melodies in my head from well-known musicals. Intertextuality and pastiche are the key to understanding the ethos of this project.

    For further details, please check out the group page for Marty Gull at http://www.ideastap.com/Groups/Group/fe0136d4-16d3-4160-8da3-9feb011452fe#Overview

    Here's the first song as a hook. Composers needed (in the style of Brecht and Weill) to rescore 'The Ballad of Tippi Marsh'...

    Marty Gull Song #1. The Ballad of Tippi Marsh
    © Chris Port, 2010, martygull.co.uk
    All rights reserved.

    (Original source material: 'The Ballad of Mack the Knife'
    http://www.youtube.com/watch?v=8ZygpDWk12A)

    Every actress
    gets that black dress
    but the mattress
    finds a stain.
    Could she care less?
    Let the stars bless.
    All good starlets
    hide a shame.

    Tippi Marsh spent
    all that talent
    on a spotlight
    on herself.
    How it haunts her
    in the twilight.
    Twenty-five and
    on the shelf.

    Little Tippi
    loved the circus
    and she juggled
    school and night.
    Here a pole dance.
    There a small chance.
    Then she’s smuggled
    out of sight.

    Someone’s crying
    in a bedsit.
    We hear footsteps
    up the stair.
    Now she’s lying
    in a torn dress
    on a mattress,
    urine-bare.

    You remember
    summer’s star role?
    In Chicago
    you had sass.
    Now December
    and the cars blow,
    past the window,
    yellow gas.

    Take that black dress,
    take that mattress,
    block the cracks less
    gas escape.
    Turn the white taps
    on your white face.
    Let the stars bless
    your escape.

    When they found her
    in that bedsit
    she was naked
    with no note.
    Let me find her
    in her childhood.
    Let me find her
    while there’s hope.

    Let me find her
    in her childhood.
    Let me find her
    while there's hope.

    avatar

    Marty Gull , Scriptwriter , 02/02/12 , 324 AP

    e52b63e7-60b7-465e-b227-9feb0135649e
  • Hi Will, thanks for the connection.

    avatar

    danwilson , Actor , 28/11/11 , 1,648 AP

    92831fce-7e08-439e-9bfd-9fa9010a16e8

Why do you want to report this comment?

Giving us a reason helps us to review people's behaviour and enables us to get rid of troublemakers. This message will only be sent to the IdeasTap Team

Please add your email address if you would like us to get back to you.

If you would like to report this to the police, please follow the link on our safety page (Opens in a new window)

All reports will be treated in the strictest of confidence within the IdeasTap Team.

See desktop version